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bell hooks (Gloria Watkins) is a cultural critic, feminist theorist, and writer. Celebrated as one of our nation's leading public intellectual by The Atlantic Monthly, as well as one of Utne Reader's 100 Visionaries Who Could Change Your Life, she is a charismatic speaker who divides her time among teaching, writing, and lecturing around the world. Previously a professor in the English departments at Yale University and Oberlin College, hooks is now a Distinguished Professor of English at City College and the Graduate Center of the City University of New York. She is the author of more than seventeen books, including All About Love: New Visions; Remembered Rapture: The Writer at Work; Wounds of Passion: A Writing Life; Bone Black: Memories of Girlhood; Killing Rage: Ending Racism; Art on My Mind: Visual Politics; and Breaking Bread: Insurgent Black Intellectual Life. She lives in New York City.
Paperback: 272 pages
"The word "love" is most often defined as a noun, yet...we would all love to
better if we used it as a verb," writes bell hooks as she comes out fighting and
on fire in All About Love. Here, at her most provacative and intensely personel,
the renowned scholar, cultural critic, and feminist skewers our view of love as
romance. In its place she offers a proactive new ethic for a people and a
society bereft with lovelessness.
ISBN: 0415969263 Black men are cool. But most books about black men miss the mark, making the same points-difficult childhood, white racism, poverty-they describe without meaningful explanation. bell hooks' brilliant new book We Real Cool: Black Men and Masculinity goes where everyone else has been unwilling to go. Without casting blame, hooks tells hard truths: black men are feared, admired, made the objects of sexual fantasy, envied, but rarely loved. Black men are hated, and hooks tells us why. In these critical essays, hooks examines what black males fear most (maternal sadism, loss, emasculation) and probes the depths of their longing for intimacy, for fathers, for meaningful relationships. Highlighting the value of a feminist approach to understanding black masculinity, hooks looks at the way patriarchal thought and action undermine black male self-esteem. With compassion and generosity, bell hooks contends that black men become loving individuals only as they accept full accountability for shaping their destiny. Taking as her starting point powerful writing on black masculinity from the sixties and seventies, bell hooks looks seriously at the problems black males face - both the ones not of their own making and the ones they create for themselves. In ten clear and provocative chapters, hooks offers a thorough examination of issues ranging from the trauma of childhood abandonment, parenting and black male violence, to work, education, sexuality, self-esteem, and spiritual recovery. We Real Cool offers a redemptive vision of black men and masculinity, one that is complex and multi-layered. This is the book that everyone seeking to understand black male identity must read.
ISBN: 074345605X Prolific cultural commentator Hooks (Communion) returns with another timely,
provocative book on a thorny issue currently being debated in the black
community. While popular books by black conservatives place the lack of
significant social progress squarely on the shoulders of African-Americans,
hooks cleverly repositions the argument, stating articulately that the symptoms
of the stagnation (e.g., violence, self-sabotage, malaise and symbolic suicide)
are old challenges only intensified by ongoing government neglect, racism,
psychological trauma and patriarchy. In typical hooks fashion, she employs
diverse sources to provide support for her penetrating, frank views on the
troubles that often block blacks from achieving healthy self-esteem. While she
admits the power of white racism has lessened, she believes the transition from
rigid segregation toward full integration has resulted in crippling emotional
and psychological trauma, breeding fear, paranoia, self-hatred, self-doubt and
addiction as blacks try to emulate whites and compete in the workplace.
--Publishers Weekly
ISBN: 1402877390 Acclaimed visionary and intellectual, bell hooks began her exploration of the meaning of love in American culture with the bestselling All About Love: New Visions. Here she continues her love song to the nation with the groundbreaking and soul-stirring Salvation: Black People and Love. Intimate and revolutionary, Salvation is a gift as provocative as it is healing. Written from a historical and cultural perspective, Salvation takes an incisive look at the transformative power of love in the lives of African-Americans. Whether talking about the legacy of slavery, relationships, and marriage in black life, the prose and poetry of Martin Luther King Jr., James Baldwin, Malcolm X, and Maya Angelou, the liberation movements of the 1950s, '60s, and '70s, sexual pain or pleasure, hip-hop and gangsta rap culture, addiction, greed, or the failure of black leadership, hooks lets us know what love's got to do with it. Combining the passionate politics of W E. B. DuBois with fresh, contemporary insights, hooks brilliantly offers new visions that will heal our nation's wounds from a culture of lovelessness. Her writings on love and its inextricable links to race, class, family, history, and popular culture raise one pivotal question: How can we create beloved American communities? Salvation is bell hooks's journey to answer this question-an offering for everyone who cares about the souls of black folk.
ISBN: 0896086283
In this engaging and provocative volume, bell hooks introduces a popular theory
of feminism rooted in common sense and the wisdom of experience. Hers is a
vision of a beloved community that appeals to all those committed to equality,
mutual respect, and justice.
Christopher Raschka (Illustrator) The Publisher: Click to read even more about this title
September 1997 Review from Kirkus :
ISBN: 0805055126 Review from Publisher's Weekly :
The Publisher:
Daughters of the Dust: The Making of an African-American Woman's Film with Julie Dash, Bell Hooks, Toni C. Bambara October 1992 Dash's struggle to complete her lush, ambitious first film, Daughters of the Dust, is more than just a tale of logistics. It is a revealing study of how an African-American woman artist--the first to make a nationally distributed feature film--fought to create an honest picture of life in the Georgia Sea Islands. Included is Dash's original screenplay, an interview of the filmmaker by critic bell hooks, Dash's production notes, and color stills from the movie -The Reader's Catalog
Black Looks: Race & Representation
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