On November
2, 2000, drug enforcement agents executed a sweep of the black
community in the tiny town of Hearne, Texas, arresting 27
African-American residents, including a grieving father who was
taken into custody during the funeral of his young daughter. The
bench warrants had been issued by the county on the word of an
informant who claimed to have purchased crack from each of the
accused, despite the fact that the ex-con was the sole
eyewitness, had a history of mental illness, and was himself
facing criminal charges at the time.
Nonetheless, The District Attorney aggressively pursued
convictions in all of the cases, generally succeeding since most
of the defendants couldn’t afford to make bail, let alone hire a
lawyer. What generally transpired was that after languishing in
jail for several months while awaiting trial, many succumbed to
the pressure of their court-appointed public defender to plead
guilty to a lesser charge in return for leniency, rather than
face the possibility of a lengthy prison sentence.
In actuality, these unfortunate folks from the projects had
all simply been victimized by a state-sanctioned scheme to
incarcerate innocent African-Americans. Ultimately, the ACLU
would clear their names with the help of one of the defendants,
an intrepid woman willing to risk further incurring the wrath of
the local authorities by testifying against them in a lawsuit
proving a color-coded pattern of malicious prosecution.
The intimate
details of her lengthy ordeal, set against the backdrop of that
landmark case, is the subject of American Violet, a gripping
dramatization of the events surrounding the sad tragedy which
ruined many a family in Hearne. Directed by Tim Disney (Blessed
Art Thou), great-nephew of the legendary Walt Disney, the movie
stars newcomer
Nicole Beharie as Dee Roberts, a 24 year-old single-mother
with four daughters whose life comes apart at the seams when she
finds herself suddenly ensnared in a dragnet designed to rid the
town of black people entirely.
We see that before being framed for a crime she didn’t
commit, Dee had been getting along if not exactly flourishing,
caring for her girls while trying to save enough money from
waitressing to study cosmetology someday. But afterwards, she’s
soon without the financial resources or the emotional support
needed to handle the situation.
In matter-of-fact fashion, this brilliant bio-pic effectively
illustrates the likely fallout visited upon a law-abiding but
unsophisticated person like Dee up against an impersonal legal
justice system unconcerned with the truth. For when she is
falsely accused of distributing narcotics and held on $70,000
bail, the ripple effect of the ensuing nightmare means that she
stands to lose her dignity, her job, her savings and custody of
her children in fast order.
Besides the powerful performance of Ms. Beharie, a Juilliard
grad, American Violet features a smorgasbord of equally-engaging
efforts on the part of a talented supporting cast topped by such
veteran thespians as Alfre Woodard, Charles s. Dutton, Will
Patton, Tim Blake Nelson, Xzibit and Michael O’Keefe. A movie
which earns high marks simply for being the first feature film
with the guts to tackle the subject of racial profiling in such
an honest fashion, especially given the similar allegations
leveled at the neighboring town of Tenaha just last month.
Fair warning: Do yourself and family a favor and steer clear
of that racist oasis if you happen to be black and passing
through Texas.