Next Day Air is a throwback which brings to mind the mediocre
Blaxploitation Era flicks from the 1970s. But where most of
those low-budget productions were merely poorly-scripted,
sloppily-edited, take-the-money-and-run rip-offs, this homage to
that best-forgotten genre is actually a well executed, comic
crime caper.
The movie marks the directorial debut of Benny Boom, the
veteran purveyor of gangsta’ rap famous for making music videos
for everyone from Snoop Dogg to 50 Cent to Nas to Nelly to Busta
Rhymes. Here, he makes a remarkably smooth transition to the big
screen with the help of a talented ensemble capable of breathing
life into his host of colorful characters. The story opens
in Philadelphia where we meet a couple of drivers for an
overnight delivery service, “Employee of the Month” Eric (Mos
Def) and his hapless counterpart, Leo (Donald Faison). The
former doesn’t deserve the accolade since he wastes too much
company time getting high and chasing a pretty colleague (Lauren
London) around the office. The latter, meanwhile, is an
equally-lazy loser who’s on the verge of getting fired by his
own mother (Debbie Allen), the manager of Next Day Air.
Lollygagging Leo is known to smoke weed behind the wheel and
to slow his truck to a crawl to flirt with the ladies. This
helps explains how, one fateful day, he accidentally delivers a
box from Mexico he has no idea is filled with 10 kilos of
cocaine to the wrong apartment. He leaves the package in
the hands of Brody (Mike Epps) and Guch (Wood Harris),
small-time crooks who think they’ve died and gone to heaven when
they open it up. Figuring the solid bricks have a street value
in the six-figures, they start making plans to retire by selling
it in one fell swoop to a local dealer (Omari Hardwick) with a
very menacing henchman (Darius McCrary).
What Brody and Guch don’t know, however, is that the coke was
meant for Jesus (Cisco Reyes), the henpecked Latino who lives
just down the hall with his loudmouthed girlfriend Chita (Yasmin
Deliz). The unassuming neighbor happens to be a gangsta’ with an
international cartel run by Bodega (Emilio Rivera), a ruthless
mobster already on his way to America with guns and a goon (Lobo
Sebastian) and determined to retrieve his contraband come hell
or high water.
Taking no prisoners, Bodega retraces the path of his errant
parcel, embroiling all of the above in a high body-count affair
that’s every bit as funny as it is bloody. Brace yourself for a
raunchy brand of humor and for gratuitous gore that can get
fairly gruesome. A screwball comedy/splatter flick which
might best thought of as a campy cross of Cotton Comes to Harlem
and No Country for Old Men.