A recent grad of the acting program at the prestigious Juilliard
School, Nicole Beharie made her screen debut just last
fall in The Express, a bittersweet bio-pic about the abbreviated
life of Ernie Davis, the first African-American recipient of the
Heisman Trophy. Now, in just her second film, the promising
young thespian has already handled her first leading role.
In American Violet, a riveting drama based on a real-life case
of racial profiling and malicious prosecution in a tiny Texas
town, she plays a single-mother of four falsely accused of
dealing drugs. Here, the emerging ingenue reflects upon her work
in the movie which co-stars Alfre Woodard and Charles S. Dutton.
NB: I’m grateful that you wanted to speak with me.
KW: The honor is all mine, after I witnessed what a superb job of
acting you did in this film. What interested you in the role?
NB: This particular script moved me. I had a dream about it, and
when I went in for the call back, I met with the director Tim
Disney, and the writer Bill Haney. When they told me about their
investment in the project and Regina Kelly’s actual story, and
how she had cooperated with the ACLU, I was just moved by them
as human beings. I knew right then and there that I wanted to
collaborate with them in some way. I told them at the second
audition that if they didn’t want to cast me as the lead, I was
willing to play another part because I cared that much about the
story. But the audition went well, and things worked out in my
favor.
KW: Did you have a chance to meet the woman you were portraying,
Regina Kelly?
NB: Of course I got to spend a lot of time with her, although we
didn’t get to meet until on set. I also got to spend time with
numerous people from the town in Texas who had gone through the
raids, characters you see in the film on the periphery.
KW: How did she react to seeing her life story being made?
NB: I think she was probably a little bit nervous initially
watching me be her, wondering who is this girl who doesn’t even
look like me.
KW: Was she really a single-mom with four children?
NB: Yes, she has four daughters the same ages as the girls in the
film, the whole nine yards. Most of the story is pretty
accurate.
KW: Does she still live in Hearne, Texas?
NB: She recently moved, but they did a screening of the film in
Hearne a few weeks ago, right across from the District
Attorney’s office.
KW: Where did you grow up?
NB: I was born in West Palm Beach, Florida, and spent time in South
Carolina and Atlanta. I did a lot of moving around because my
father was in the foreign service. So, I also lived in Nigeria,
Panama and Washington, DC. I was up and down the East Coast, and
in a few random countries. [Laughs]
KW: When did you develop an interest in acting?
NB: Moving around all the time, you just have to keep yourself
entertained. And I was kind of a bully, even though I’m tiny, 5’
2”. As a child, I’d boss other kids around and dress my little
brother up, just putting on shows, singing and dressing up. I
recently found a photo of myself in front of my mother’s closet,
trying on her nylons and a feathered boa. So, I think
storytelling was always underneath my skin, burning to get out.
KW: What type of training did you get before Juilliard?
NB: When I lived in Orangeburg, South Carolina, I ended up
attending a school for the arts in Greenville. It was a better
school and a better situation. I guess my ticket to get in there
was acting. I wasn’t planning on becoming an actress. I just
wanted to go to a better school. But I fell in love with it, and
my senior year I applied to Juilliard, NYU, Carnegie Mellon and
other schools with theater programs. I got in, took the risk,
moved to New York and it kinda worked out.
KW: I guess you did a lot of Shakespeare at Juilliard.
NB: I loved doing all the plays, including Shakespeare, which is
wonderful for honing your instrument. I wouldn’t say Shakespeare
was my #1 favorite, but you do feel very alive when it’s done
well. Being in front of the camera is nice, too. I think they’re
both beautiful types of performing calling for different levels
of energy. I also enjoy singing in musicals.
KW: Watching American Violet, I though I saw another Juilliard
graduate in the cast, Anthony Mackie, playing the informant, but
his name wasn’t in the credits.
NB: Yes, he and Tim Blake Nelson, another Juilliard grad, are both
in the picture.
KW: You had a great supporting cast,
including Alfre Woodard,
Charles S. Dutton, Will Patton, Xzibit and Michael O’Keefe. How
was it working alongside so many seasoned pros?
NB: It was daunting. I was constantly reminding myself that they
did cast me. I remember being nervous out of mind during the
first reading. I love acting and I’m always doing readings, but
this time, I knew the stakes were high. And after working with
them, I took away so much from the experience because everyone
was so generous with me. Michael reached out to me. Will took me
to see some independent films. And Alfre was an absolute
jewel.
KW: Well, I think the camera likes you, you have a natural
chemistry and powerful presence. I noticed you the first time
you came on screen in
The Express. I sort of thought, hey, who
is that?
NB: Thank you. I skipped my graduation at Juilliard to do that
film.
KW: Your debut was the scene when you walked into the party with a
girlfriend and the two of you were introduced to Ernie Davis.
NB: Wow! You’ve got quite a memory.
KW: Is there any question no one ever asks you, that you wish
someone would?
NB: That’s an awesome question. What do I want you to ask me? Hmm…
I’ll have to think about that.
KW: The
Tasha Smith question: Are you ever afraid?
NB: Yes, I think this whole process has you constantly facing your
fears and being courageous. But it’s also exciting.
NB: Yeah, I’m really enjoying my time, and my family is really
excited for me. I was raised by a single-mother, and my sister
was a single-mom, too, so I think that’s one of the things that
help me understand my role in American Violet. And having them
see the fruits of my labors is really exciting. I just feel
really blessed and humbled, even that you want to talk with me
right now.
KW: The bookworm
Troy Johnson question: What was the last book
you read?
In Barcelona, an aging Brazilian
prostitute trains her dog to weep at the grave she has
chosen for herself. In Vienna, a woman parlays her gift
for seeing the future into a fortunetelling position
with a wealthy family. In Geneva, an ambulance driver
and his wife take in the lonely, apparently dying
ex-President of a Caribbean country, only to discover
that his political ambition is very much intact.
In these twelve masterly stories about the lives of
Latin Americans in Europe, García Márquez conveys the
peculiar amalgam of melancholy, tenacity, sorrow, and
aspiration that is the émigré experience.
NB: Right now, I’m reading a spiritual essay by Ralph Wood Emerson,
Self Reliance, and Strange Pilgrims, a collection of short
stories by Gabriel Garcia Marquez.
KW: The music maven
Heather Covington question: What music are you
listening to?
NB: I’m always listening to Nina Simone.
KW: One of her songs is in the movie at the end.
NB: Yes, and I didn’t know that when I first saw it. That thrilled
me. That made me so happy. It was so perfect. Besides Nina
Simone, I have some Common going on, some Joni Mitchell, and
Beyonce’ when I’m working out.
KW: What has been the biggest obstacle you have had to overcome?
NB: Underestimation.
KW: The Rudy Lewis question: Who’s at the top of your hero list?
NB: My mom, Colleen.
KW: Teri Emerson would like to know when was the last time you
had a good belly laugh?
NB: After my grandmother had a heart attack and all my relatives
came back home. We did everything in our power to lift her
spirits, and it did something for me too. My sister absolutely
cracks me up. I was rolling on the floor.
KW: How is your grandmother doing now?
NB: Much better, thanks.
KW: The Laz Alonso question: Is there anything your fans can do
to help you?
NB: By just giving me a chance. I’m new. I don’t know that I have a
fan base yet.
KW: How do you want to be remembered?
NB: As an ever-changing person, like the weather and the seasons. I
want to have room to grow and morph and learn as I’m figuring it
all out.
KW: Have you thought about a question no one ever asks you, that
you wish someone would?
NB: Yes, It’s sort of abstract, but I would like to get creative
feedback at
www.MySpace.com/NicoleBeharie about the film in the form of
words, music or any other artistic expression from people who
have seen it.
KW: Well, Nicole, thanks again and best of luck in the future.