Brad Pitt Stars in Adaptation of F. Scott
Fitzgerald Classic
The Curious Case
of Benjamin Button
Rated PG-13 for profanity, sexuality, smoking and brief war
violence.
Running time: 167 minutes
Studio: Paramount Pictures
Film Review by Kam Williams
Excellent (3.5 stars)
Very loosely based on the classic tale of the same name by F.
Scott Fitzgerald, The Curious Case of Benjamin Button is a
melancholy meditation on love, mortality and loneliness
revolving around a baby (Brad Pitt) born old who grows younger
over the course of his life. This melancholy parable was adapted
by Academy Award-winner Eric Roth (Forrest Gump) who managed to
stretch a 14-page short story into a meandering, 167-minute
parable of Biblical proportions.
Directed by David Fincher, the film opens in New Orleans at the end
of the First World War where we find Benjamin’s mother (Joeanna
Sayler) dying during childbirth being followed by his father’s
(Jason Flemyng) wrapping the inexplicably-aged infant in
swaddling clothes and secretly depositing him on the back steps
of the local old folks’ home. Fortunately, he is soon discovered
and adopted by the place’s nurse, Miss Queenie (Taraji
P. Henson), a selfless, mammy-like figure who altruistically
decides to care for him the best she can.
Although her odd-looking, little octogenarian is initially beset by
an assortment of infirmities, Queenie can’t help but notice that
there is something which sets Benjamin apart from the rest of
the residents of her assisted living facility. For, while they
continue to deteriorate and die, he miraculously has his
vitality restored, and gradually gets back his hearing,
eyesight, hair, and so forth.
Eventually, Benjamin not only feels fairly spry, but independent
enough to bid Queenie and company adieu and sets out to explore
the world on his own. And with an uncanny sense of timing rather
reminiscent of a Forrest Gump, he proceeds to embark on an epic
journey which lands him in the middle of a number of events of
historical import over the ensuing decades, such as a World War
II naval battle and a NASA rocket launch.
And whereas Forrest was fond of repeating the refrain “My momma
always said, ‘Life is like a box of chocolates, you never know
what you’re gonna get,’” Benjamin relies on Queenie’s
equally-maternal words of wisdom, a sage warning that “You never
know what’s coming for you.” The parallels between the pictures
don’t end there, either. Like Forrest, Benjamin has an endearing
naivete about him, and he also yearns for an elusive love
interest (Cate Blanchett).
All these similarities can easily be explained by the fact that
Eric Roth wrote the script for both movies, and he’s undoubtedly
attempting to regenerate some of that magic by resurrecting some
of the same gimmicks that won him an Oscar for Gump. At least
Button’s reverse aging theme is unique, allowing for a
sufficiently novel and compelling plotline. Furthermore,
Fincher’s painstaking attention to detail during each era is
nothing short of spectacular.
A relatively-morose morality play likely to land its share of
accolades during award season provided everyone stops comparing
it to Gump.